Praise and Poems
Andrew Duncan’s work is adept, inordinate and alone. He works in splendid isolation from the elasticity of fashion, a position which enables him to engage.
History, particularly “history” as orientated by post-structuralism, is his stage, whether it be the first balloon flight or the last punk record. In the theatre of history Duncan is the one concentrating on the music as it bounces off the walls.
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